Every Friday until February we are going to be sharing one of our ten finalists for the First Annual Gallery Showcase, sponsored by WHCC Co. These images will be on display at our annual Dear Photographer Workshop – Elevate + Grow, This year the Gallery will be hosted at the Ace Hotel in Portland, Oregon, June 8, 2018.

To enter continue sharing your images with our hashtag #DPMAGFAVES for a chance to be printed on our spring issue and be displayed in Portland.






Unearthly, heavenly  and dream like would be the perfect words to describe this incredible image by Jennifer Kapala. I specifically love the texture of the dress almost coming off the subject and the way underwater photography creates the magic of levitation, one that Jennifer knows all too well how to work into an image that makes us pause. Her underwater work doesn’t feel like its underwater or like we are watching someone submerge themselves. She creates total art our of the ripples and the way she works her self into a beautiful composition. We cannot wait to Showcase Jennifer”s work  among so many other talented Artist.

Words by Adri De La Cruz




Jennifer KapalaBased in Calgary, Jennifer is a multiple award winning child and family photographer and the 2014 National Association Child Photographer of the Year and am a NAPCP Ambassador. Always seeking to improve her craft, she maintains an active membership in the National Association of Professional Child Photographers (NAPCP) and is a Craftsman Member of the Masters Photographers International. Teaching and sparking a light in others is a passion and she has taught photography courses at Babyf in Madrid, in Santa Barbara at the National Association of Professional Child Photographers Retreat, and various local camera clubs. Underwater family and child photography is both a love and a niche and out of wanting to build a community, she founded UnderwaterKids to offer education and resources to the growing field of underwater family and child photographers.

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BE INSPIRED Session | feature by Louise Porvaznik of Mazzalou Photography 

BE INSPIRED Session | feature by Louise Porvaznik of Mazzalou Photography 
Tell us a bit about your approach to the work you do, your time in the business and a few personal facts about you.

I love to worth with natural light.  I think it can transform an image from blah to spectacular.  I typically shoot in the golden hour as I get my favorite images within this time, more so as the sun is dropping.

I have been in business for nearly 7 years now, and I have come so far from the first day I picked up my very first camera. I push myself on every session trying new techniques and I don’t usually stop till I get what I envisioned.

Im from Manchester, England. So when I turn up to sessions its strikes up a conversation straight away and I get to ease with my clients from the get go.  I like to work barefoot, more so when working on beach sessions. I tend to roll about in the sand and get wet from the ocean, so I look a picture myself when the session has come to an end.  I always say, if I am not full of sand or wet from the ocean my session wasn’t successful. The car wash company LOVES me, as I my vehicle practically looks like a beach by the end of the week. haha.  I have 2 children, one, being my boy who avoids me and my camera at every opportunity, he is way too cool for pictures because he is a teenager haha, then I have my daughter who forgets I am in the background taking snap shots of her life.   Other than my photography I love woodwork and metal work, I have always been fascinated with it from being a kid.  I promised myself that one day I would have my own workshop, so I could get lost in there making one of kind pieces of art.

What about this session was most memorable?

This session was with one of my favorite families.  I have had the pleasure of capturing some pretty amazing memories for them over the years. The sky this evening was crazy good, if I am being honest SWFL skies never fail me, however this particular evening was something else.

Were there any hurdles?

In this session the older son was getting bored, so this is when quick thinking comes into play and I change the session a little to make it more lifestyle, more fun and with doing this you cannot always see the faces in lifestyle images.  So if they are looking a little grumpy I change my angle Im shooting, I shoot towards the smilier faces and have a profile or back of the head shot of the other kid(s).

Your best photographer/session advice?

The best advice for photographers is not to be stressed when shooting a session.  If it doesn’t go according to plan, shift the mood, make everyone laugh, try new techniques and go with the flow.  When I have found myself in situations like this, I capture some amazing images.

What gear was used to achieve these?


16:35mm f2.8

Last, but not least; include a small bio and social media links:



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Natural light Sarasota FL Photographer Specializing in family, kids and fitness.

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T W I T T E R | P I N T E R E S T 


DEAR PHOTOGRAPHER | feature by Carla Monge

DEAR PHOTOGRAPHER | feature by Carla Monge



Dear past, present and future Carla,

I believe the message I want to give you now is relevant to all three of those people, for our journeys are fluid and we often lose ourselves along the way, only to dig deeper and reencounter a truer version of ourselves, over and over as we journey on.

The image above is from 2012, one of the first images you took with your DSLR that you were proud of. The first image that made you realize you could capture your vision of the magic in our everyday lives. The photograph was made in your Grandmother’s bathroom as your husband held your two-month-old, preparing him for his bath, just a regular evening in what was your regular routine back then. You were just starting out in this wonderful world of photography, and yet you had already been drawn to what you liked, that magical play of light and shadow – and baby bums of course, who doesn’t love those!? 😉 I know that at the time you weren’t able to fully recognize the things you were drawn to and the things you were not, but looking back on your most meaningful photographs now, I can see that the core ingredients were already there. As you were learning, I know you searched and searched, and tried a bit of everything along the way. Perhaps that had to happen in order for you to realize, later on, that your taste and your vision had in fact been there all along, and that uncovering them and refining them is not a final destination but a lifetime’s creative journey.

We often over complicate things and search outside ourselves to find our style and our voice, but it is already within us, it has always been within us, and that is where you must remember to keeping digging for it, nurturing and refining it. As always, no path is ever a straight line, so next time you find yourself on an unfulfilling path, questioning your work and your meaning, just remember to slowly make your way back home through the inside, not through the outside.


Carla x


Carla is a newborn and family lifestyle and fine art photographer, living in London with her husband and her muses, her two children. A former engineer who worked in finance for many years, photography has always been her creative outlet, now turned into her profession. Her passion first and foremost is that her kids may be able to see through her photographs, how she saw them whilst they were growing up.

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BE INSPIRED SESSION | FEATURE BY Keana Willis of Luna Kai Photography

BE INSPIRED SESSION  | FEATURE BY Keana Willis of Luna Kai Photography
Tell us a bit about your approach to the work you do, your time in the business and a few personal facts about you.

Well, I love it all, from getting engaged to that first cry in the delivery room. I love photographing every phase of a woman’s life! I’ve “been in business” since maybe 2008. But really for the last 4 years, I’ve really started to push my business further. Now that my kids are 4 and 7 and in school, I have the time to give to my clients. Which also gives me time to myself to do the things I love in life:) A few personal facts would be I love riding horses, I eat weird food and will eat the same thing for like weeks…so weird.I know…I LOVE coffee and have a subscription…I was born and raised on the garden Island Of Kauai in Hawaii.

What about this session was most memorable?

My client’s energy, she was just so fun!

Were there any hurdles?

The only hurdle we had was driving down this super wet muddy 4 wheel drive road up in the mountains in Kokee trying to catch the sunset…

Your best photographer/session advice?

Just have fun, don’t think about it too much and know your camera. Know what light you need to get the shots you want.

What gear was used to achieve these?

Nikon D810 and my Sigma 35mm Art Lens







I absolutely love the outdoors. I enjoy taking my kiddos on adventures from hiking to the beach to traveling around the world

My kids are at that age to where they fight all day. So to all, you moms out there just hang on tight cause it’s a wild ride. Just remind yourself that they grow up so fast and you will never get yesterday back so live this day to the fullest:)

Coffee and more coffee..cappuccinos to be exact

I love to ride horses. I used to have an Arab hackney her name was Escapade and a Thoroughbred name Uila

I’ve never been to Europe but I have an uncle that lives in Austria that I plan to visit in the near future

I’m completely head over heels in love with my husband..met him and married him within six months

I’m an Aquarius born on valentines day…so not fun..I have to remind my husband he’s not allowed to kill two birds with one stone:-/

W E B S I T E | F A C E B O O K | I N S T A G R A M 


Every Friday until February we are going to be sharing one of our ten finalists for the First Annual Gallery Showcase, sponsored by WHCC Co. These images will be on display at our annual Dear Photographer Workshop – Elevate + Grow, This year the Gallery will be hosted at the Ace Hotel in Portland, Oregon,  June 8-10.

To enter continue sharing your images with our hashtag #DPMAGFAVES for a chance to be printed on our spring issue and be displayed in Portland.



JyotsnaBhamidipati_01-Line of fire.jpg

Image by Jyotsna Bhamidipati



Otherworldly and radiant are the first words felt as I laid eyes on Jyo’s incredible Line of fire image. It was chosen for its fragility, abstract qualities and the beautiful texture and tones. The light plays with the subject,  highlighting and enhancing it so effortlessly. I adore the lines and depth emanating from it the surreal light transforms this simple image into magic.  It reminded me so much of the wonder of this earth, the soft quality of the leaf broken in is a sign of time and the erosion of it. We cannot wait to have this image in our gallery and be able to gawk at it in person.

commentary by Adri De La Cruz


IMG_8545_headshot.jpgJyotsna (Jyo) is a mom and an electrical/lighting engineer based out in Sacramento, California. While engineering has been her background, photography is her creative outlet and passion. Having lived in and traveled to multiple countries, she loves nature and traveling. She is a lover of light and seeks to capture the everyday beauty including her daily life based on her family through her lens. Her work has been featured and published across multiple platforms in digital and in print. She also has a part-time lifestyle photography business and focuses on capturing genuine emotions and connections between families, couples, moms to be and babies.  

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COLLABORATION |Keziah Kelsey + Lauren Wright, Photographing a Mom and baby

COLLABORATION |Keziah Kelsey + Lauren Wright, Photographing a Mom and baby
Tell us a bit about your approach to the work you do, your time in the business and a few personal facts about you.

KK – I’ve been in business officially for a little over 3 years but have been photographing for over 20. I began when I inherited a Zeiss from my grandfather, a world war 2 veteran who documented the medical camps with it. I approach my work with a sense of empathy and love as I enter people’s homes, families, and hearts to make honest portraits of the truth of this season of their life. I try to be very present with them; attentive to their ways, their affections and the moments that count.

LW-I’m a dream catcher, not only in my personal approach to life but in my professional world of creating images as well. I live for catching moments that disappear all too quickly, for somehow capturing a moment that only those involved actually felt, unaware that others saw it. Small tangible details that I first see through my lens, then get to see again when editing is what excites me. This is why I make photographs. I’ve really only begun to find my voice and I think that my daughter helps bring this emotive and nostalgic side out in me. I see me in her. When I see her joys and remember my own growing up, it makes me feel what I am seeing through my camera. I want others to see it as well.


Tell us about your feelings regarding community and other photographers?

KK- I love our community; I have many very good photographer friends, they make up the majority of both my friend group and my client group! With any large community, there can be difficulties and conflicts and photography is not immune to that. I’ve experienced troubles in our community as well but overall I believe in a surplus mentality. There’s always enough to go around so we can all afford to share. I love connecting with people who get the ups and downs of being in a small business and also being an artist. It’s a unique set of joys and woes and having friends who really get it can really make life easier on tough days.

LW- What a community I feel as though I have found! I have my niche. I have my small group of photographers I know and can turn to for true advise, free from judgment and free from fear of competition. I think that is hard to come by in such a large pool of talent. I’m somewhat of a guarded person, I hesitate at first to share but the overwhelming support & truth of this community has amazed me (and pulled me out of creative blocks many times :)). For this I am so thankful.

What was the experience collaborating with another artist?

KK- Lauren and I have collaborated together before so we didn’t really find too many difficulties in setting this up. I adore Lauren’s photographic voice; so based in sensation and detail. I found shooting together to heighten my own awareness of the textures and details, while also enjoying the camaraderie that having a friend along lends. Shooting together helps the whole session feel more like a coffee talk with friends, relaxes the subject and gives a sense of intimacy that can be hard won sometimes.

LW- This isn’t the first time I have shot with Keziah, I took her on as a mentor last winter and she arranged a learning session that we shot together. This was SO hard for me, I was completely out of my comfort zone but also eager to learn. One of my most favorite images ever created came from that session!

Were there any hurdles?

KK- We definitely wound up cropping each other’s arms and toes out of a lot of frames! HA! I think the biggest hurdle was definitely just the physical space. We are both close shooters, so there were moments in the session where we’d be shoulder to shoulder working. Our other major hurdle was scheduling; we both book out fairly far in advance and are working moms juggling school runs and households so finding a date on both our calendars with good light was a super challenge!!

LW-  I felt an initial uncertainty how the session would flow, not wanting to step in the way of her thought or vision and visa-versa. Scheduling was a little tricky too:)

Your best photographer/session advice? How would you approach sharing the same subject with another artist?

KK- I think, like any session, approach with a combination of planning and intent ( what do I want to make today?) and the openness to feel inspired by your subject, the light and locational details. I am always very inspired by water and Lauren rolled with it, she was taken with some fluffy dandelion bush things and we shot there for a while as well. I think allowing yourself the flexibility to just be like, ‘oh I love that, lets try and work with it!’ lets you break your own boundaries and create something amazing.
Sharing a subject is kind of a moot idea, we all share basics. It’s fun to work side by side and see another person grind their gears as they think about the same set of information as you but differently/ It’s inspiring to try and expand as you incorporate their want list and your own into a session.

LW- Know what you want to get from your session. I truly believe that sharing a client with another artist will be difficult for some, but for others, if you can find a complimentary voice in this crazy, creative field then you are fortunate. Collaborate as much as you can when you find that.

What gear was used to achieve these?

KK- I shoot with a Canon Mark3, sigma 35 ART 1.4
LW- I use a Nikon D750 with a Sigma Art 20 mm 1.4

Will you collaborate with more artist in the future, if yes Who would be on your list to work with?

KK- I would definitely do it again!! A dream list of collaborators? hmmmmm, that’s a super tough one! I’d love to work with Justyna Butler, Devon Hall, Tatum Pfieffer, Candice Zugich.. I could go on!

LW- I have not yet considered collaborating with other artists , I think i would need to have an existing relationship with that person, as I do with Keziah. I think to have another intensely creative individual work along side you in your coveted space requires deep trust and appreciation for the other and what they create as well. I believe that is rare. I would certainly collaborate again with her!

K E Z I A H ‘S  G A L L E R Y




L A U R E N’S  G A L L E R Y 




K E Z I A H  K E L S E Y 
Keziah Kelsey is a former art educator, an artist, and fine art photographer, in 2014 she pivoted from high concept styled shoots in the fashion world to intimate, raw, and real portraits of family, motherhood, and childhood as she began her own family journey. Her photography business has grown from a side hustle to full time and has deepened in tune with the seasons in her life. She now offers full service, end to end professional photography as well as mentoring, classes, and workshops for budding photographers.

She has recently been honored with 1st place in the 2017 Shoot & Share competition and is a member of NAPW, the Motherhood Society, PPA and a Click Pro. Her work has been shown at multiple, international galleries and published extensively in the last few years.

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L A U R E N  W R I G H T  

I am a Mother, a Wife, and an Artist. I love each hat I wear equally. They each teach me something new every day, and what I learn I like to bring into my work.
I struggle and dig deep every day for what makes me happy with my art. I actually crave (in a weird way) the struggle of keeping my mind feeling creative and heart filled with joy from my work. I want to constantly create & feel the rush of seeing an image perfectly depict a moment or intimate detail that only those in the image experienced but now is tangible and felt just by viewing it.

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“There is only one sun. We can’t all claim to only have one way to use the light, but we can REDEFINE how we choose to express it. “

We love the honesty in your photographs, how do you go about to capture it?

I think it all comes from the belief that real is better than pretty.
I have so many portraits of my kids, and I know that in a world of smartphones every parent does as well. And as much I as love beautiful portraits they almost never make me stop and think. Or reminisce about anything. But I do that a lot with honest documentary images. Candid family photographs bring memories and joy and yeah..sometimes a little sadness as well.

I try to make sure that I’m not affecting the scene. It’s easier with my kids because “ahh…Dad is always with a camera” Nobody cares anymore. My kids just go on with their lives. Is a little tricker when it comes to my clients. Kids stop doing what they are doing when they see me taking pictures, or they sometimes start to do a show for me. Eather way this is not what I want. It’s great to have images of two brothers messing around but not if they do that just for me. So I just don’t photograph them when they do that. I go somewhere else. They very quickly realize that I don’t take pictures when they show off or look at the camera. Plus my session is usually at least couple hours long. So after the first one, no one is usually noticing the camera anymore.

I approach every scene like a puzzle. I know there is a picture somewhere there and I just need to find it. Plus I want to make sure that the image is not only about how the scene looks like. I don’t want to photograph my son running at the beach at sunset. I want to photograph how it feels to be a little boy running on the beach at sunset. I try to look beyond the obvious.

What were the challenges for you in the beginning, in your journey?

I think that beginning of any road as actually much simpler than the rest. We are passionate about what are we doing, have a lot of energy and ideas, and because of that things go rater smoothy. I just use to photograph my kids. Everywhere, doing everything, all the time. Things get a little harder down the line. One you photograph every corner of your house and every possible activity things get a little trickier. (To the point that it’s now sometimes easier for me to get an image that I love when I’m with a client. It’s a new environment, new people, new activities. It’s simpler. )

Also, it’s not easy to be a parent and a photographer simultaneously. When trying to focus on spending time with my kids and photograph them and the same time, I sometimes end up doing none of it. Images are not good enough and I’m not good enough father.

Why are you passionate capturing an honest image?

There is more than one reason. It started very organically. I’m a photographer, I have a camera, due to the nature of my work I spend a lot of time working from home and with my kids. What else is there to do if not to take pictures of them. Couple years ago, I was at my folk’s place, and I somehow gravitated towards to that old green box full of pictures. Going through them I had realized that the photographs I have the most connection to, the ones that mean something to me are not the perfect ones when my family and I stand in line in front of a camera but the ones that my dad took with his old Zenit camera when no one was looking. Not the “stand here sweetie, look at me for a moment” vacation pictures, but the ones where I can see my old home, the old garage in the backyard that no longer exists, the way my old room looks like and my family looking a behaving…normal. My pictures are not the same at that moment. I decided to step away from the traditional family portraits for myself and my clients as well and move to a documentary style photography.

Plus we also live quite a distance from the rest of our family, and as much as we try to stay in touch they don’t really know how our lives look like on the day to day basis. It’s really easy to feel the distance when you see Suzie hugging a laptop while talking to her grandma on Skype or Kostek kissing a webcam. So photographs exist partly because of our family. It’s a way to show grandparents something that they cannot experience. The normal life of the grandkids.

But the main reason is: I take pictures because I believe it’s important. I strongly believe that life is made of regular days. Annoying Monday mornings and busy evenings. And I think it’s incredibly easy to ignore those times. To not pay attention to the boring, regular and mundane but focus only on big family events. But how many weddings, Christmas days and family trips do we really have in our lifetime? Life is what’s happening here and now. There is way more Mondays than birthdays. When you take your kids to school, and you missed the bus or when they leave smudged fingerprints and toothpaste on the clean bathroom mirror. Sundays when they wake up earlier than on school day and won’t let you sleep. Or that split second when they love each other just before they start fighting again, This is what I want to remember and more importantly what I want them to remember. I have a box of pictures from my childhood, but besides that, my memories from when I was a child are really foggy. I don’t want that for my kids. I want them to remember those days in 50 years. So I try to take pictures all the time. Of everything. When they brush their teeth and ride a bike. Playing a board game with mum and doing homework. Sleeping, eating, crying, dancing, reading. I have pictures of them sitting on a toilet, licking a shower curtain, covered in chicken pox, at the doctor’s office, and so on. Basically all the time, every day and everywhere. But only a handful gets published.

What are the tips you would share with anyone trying to capture their children or subject with a more honest candid way (aim for at least 5, but any are welcome)

Try to think why you are taking a picture. I know we sometimes just want to save the moment, but think about “why”? What is the thing that brings your attention? When your daughter is playing in the sand, don’t just point at the whole situation and shoot. Decide what do you like the most. Is it her feet covered in sand? Her hair being tousled by the wind? The look on her face? Have a strong point of focus and then shoot. Know why you are taking a picture.

Remember what it was like to to be a child. How it felt to do what they do now. With the image of my son on the beach, I have mentioned above I want to capture the feeling of being a four-year-old boy at the beach at sunset. – It’s not every day that he does that. It gets a little dark, he has a lot more freedom the usual, The beach is empty and wide, the sun is slowly hiding behind the horizon, and the waves make this calming sound. I believe it was special, little magical and quite unreal for him. So that’s the image I have tried to take. It’s not about how it looks like.

Get to their eye level. We always look at kids from one perspective. Looking down. And when we take a picture that way, we are just looking “at the scene”, plus we usually end up with photos of the top of their heads. Get down on your knees or crouch down to their height. Don’t just point and shoot. Get to their eye level or even lower. Not only your pictures will be more interesting; as this is not our normal way of looking at kids and it gives us a unique perspective, you also will become more approachable, but more importantly, you will be a part of their world. You will see everything from their perspective.

Just do it more. Funny thing about a photography is that the camera can show you things in a way that you can’t see without it. When you try to take the picture that describes the moment exactly how it is you need to really focus on what is exactly going on. Not only how it looks like but how does it feel. To you, but more importantly to them. And that requires attention, and that allows you to see more. You dedicate this moment to solely looking at them. Nothing else. And that is not something that we usually do during busy days. It definitely allowed me to be more present, to be more in the moment with them and understand them, not only when I’m taking the pictures but also when I put the camera down.

Shoot through moments Do not stop taking pictures simply because you just took one or two. When your daughter is drawing a firetruck on the kitchen table being completely focused on what she is doing, and you want to save that moment; do not take just one photo ( or even just 3) Stay with it. Keep shooting. She may stick her tongue out in a minute or scratch her nose or make that face that she always makes when she is thinking. The photo will be infinitely better, and it only takes a minute of waiting. Shoot through the moment. Take the “safe” shoot and keep shooting for the better one.

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Thomas. Father of two. Dublin based documentary photographer.

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